The From This Place songbook is now available!
From This Place is available here!
Deanna Witkowski has combined The Spirituality of the Soul and Heart
with The Spirituality of Jazz. These performances are, above all,
prayerful. They are also properly liturgical and and should be sung and
played in churches. Ms. Witkowski continues the work of Mary Lou
Williams who was the first major jazz artist to compose for liturgical
purposes. This music is 'healing to the Soul'.
Rev. Peter F. O'Brien, SJ
Executive Director of The Mary Lou Williams Foundation
Vulnerable, soulful depth through a graceful harmonic approach. This music is a gift and an inspiration to listeners everywhere seeking new songs and ideas for worship.
Ike Sturm
Assistant Director of Music for the Jazz Ministry at Saint Peter's Church, New York
Improvisation, which is at the heart of
jazz, provides a metaphor for the Creator's acts toward the creation
and toward human creators. The worshiper (or, in the case of
recordings, the listener) listens for wonder, playfulness, surprise,
wit, and respect for tunes on which each improvisation is based. Those
of us who have heard Deanna in church, home, club, studio, or
auditorium, have found new reasons to improvise praise for such
fresh sounds.
Martin E. Marty, theologian
University of Chicago
From This Place
Not since Mary Lou Williams has there been a pianist who has melded jazz and liturgy into such a joyous, accessible art form. Deanna Witkowski, winner of the 2002 Great American Jazz Piano Competition and a heralded bandleader/composer with three previous quartet releases, has saved her most honest and soulful music for her 2009 sacred jazz recording, From This Place.
Moving with the Spirit: The Sacred Music of Mary Lou Williams
NEW: Video clips from the Kennedy Center presentation of Moving with the Spirit are now available at YouTube!
The entire Kennedy Center performance is also available in streaming video here.
Moving With the Spirit is ready to hit the road in celebration of Mary Lou Williams' centennial (2010). The project is available in different sizes (either as a self-contained duo or trio; or as a duo or trio with Dr. Kernodle). Contact Deanna for more information.
Deanna joins Dr. Tammy Kernodle, author of Soul on Soul: The Life and Music of Mary Lou Williams,
in a program of words and music devoted to the sacred jazz of Williams
and Witkowski. This project had its premiere in January 2007 at Saint
Peters Church in New York City, and is available for schools, churches,
and festivals. In 2008, Deanna and Tammy presented a
similar event as part of the International Association for Jazz Education conference in Toronto, Ontario as well as at Duke University.
Sacred jazz in your neighborhood
Deanna travels extensively presenting sacred jazz in services, concerts, and workshops. She is happy to work with church music directors in making her music available to choirs and congregations in advance of an appearance.
Some testimonials (click here for a full page of quotes as well as as listing of past venues)
Deanna's music has come along when we as church musicians need it the most. Her language is unique and fresh, and her melodies are singable by professional and amateur alike. Deanna brings soul to texts that may have passed away from the mainstream. -Paul Klemme, music director at St. Paul's Episcopal, Salem, OR
Deanna's sensitive, searching musical voice beckons you to join her explorations of the spirit.
-Cary Ratcliff, composer, music director, Bethany Presbyterian, Rochester, NY
Deanna's music is dynamic and moving as she weaves the sacred and secular into food for the spiritual soul.
-Reverend Judy Lee Hay, Calvary St. Andrew's Presbyterian, Rochester, NY
Deanna brings a rare musical intelligence to the music of the liturgy, supporting the familiar texts of the church with inventive melodies and rich harmonic movement. She's a major talent who has much to offer to the worlds of jazz and faith.
-Bill Carter, jazz pianist and pastor, First Presbyterian Church, Clarks Summit, PA
When David danced before the Arc of God, some folk were scandalized, but God was pleased, for David's dance was an expression of his joyful abandon to the Spirit of the living God. Witkowski's playing has that same spirit of joyful abandon. God's love poured out and touched even those who were convinced that jazz was not even good music, let alone a means of grace. When our jazz service ended the first person to speak with me was the chair of the worship committee who said, "When can we get her back?"
-Rev. William Weisenbach, DD, Senior Pastor
First Presbyterian Church, Katonah, NY
Online sacred music for purchase!